Joe Martino, Collective Evolution 11-17-17… “The Dark Secrets Behind The Pope’s Audience Hall (It’s a Giant Reptilian)”

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Joe Martino, Collective Evolution 11-17-17… “The Dark Secrets Behind The Pope’s Audience Hall (It’s a Giant Reptilian)”

Be prepared to be “Blown Away”!!! I saw this early this morning, and as I went through the images, all I could say was, “Holy Reptile!” This is an astoundingly apocalyptic (unveiling) article by Joe Martino. What better place to have “Sacred” meetings with the Pope than inside a reptilian’s head!!

No doubt this is all part of the “predictive programming” the reptilians and other occult dark ones have set up, so we (unwittingly) give consent to being “controlled by reptilians” (Pardon, but it ain’t for me!).

“The building was designed with reinforced concrete by well-known architect Pier Luigi Nervi. Nervi is known for simple yet practical designs that are strong and made to last… Have a look at the image below and compare its shape to the image of a snake beside it. Note the overall shape — wide back, narrow, rounded front, eyes in the middle, nostril at the front, and curved top.

“…pay attention to the whole building and stage layout next to the image of a snake. The eyes, the shape, the scales, the fangs, the look and feel of the reptile… it’s all there.

“In the middle of the stage sits a statue of Christ rising from an atomic apocalypse. It was designed by Pericle Fazzini and put in place by 1977… when you view the statue from the sides, where patrons would sit, it becomes strikingly clear from both sides that the head of Jesus is meant to look like that of a snake.

“There are seven separate pieces that comprise the snake or reptile symbol. If it were one or two I would understand your skepticism — even three. But when seven pieces come together so beautifully, so perfectly, you know beyond any shadow of a doubt that it was intentional.

“When you begin to consider what the Pope’s Audience Hall is truly saying, it becomes clear he is speaking from the mouth of the snake. He stands in front of the mouth and speaks the words of the Elite to all those listening. The Elite are telling humanity via symbolism that this is what’s happening.”

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The Dark Secrets Behind The Pope’s Audience Hall (It’s a Giant Reptilian)

When I first realized the true magnitude of what the Pope’s Audience Hall design reveals, I was shocked. Despite 10 years of research into the elite, occult, Illuminati, consciousness, and more, this stuck out as something I just HAD to write about.

Have you heard of the Pope’s Audience Hall? Also known as the Paul VI Audience Hall or the Hall of the Pontifical Audiences, it lies partially in Vatican City and partially in Rome, Italy. Named after Pope Paul VI and built in 1971 by Italian architect Pier Luigi Nervi, it seats 6,300 and contains a bronze statue called La Resurrezione, designed by Pericle Fazzini, within.

This all sounds pretty straightforward so far, but let’s dive into what makes this building so strange. We’ll start with the less weird, and get progressively weirder as we go.

Building Method and Design

The building was designed with reinforced concrete by well-known architect Pier Luigi Nervi. Nervi is known for simple yet practical designs that are strong and made to last.

The simple curvature of the building might seem unassuming from the outside, but this is part one of what we will begin to explore about this building, and I promise you, by the time we get to the end, you will see what I’m getting at.

Have a look at the image below and compare its shape to the image of a snake beside it. Note the overall shape — wide back, narrow, rounded front, eyes in the middle, nostril at the front, and curved top.

Windows

As you can already begin to see in the image above, there are two windows on either side of the building that resemble eyes. They are made of stained glass and sit about halfway through the building’s length on either side.

In the centre of the eye shape, you begin to see a slit that could resemble a reptile eye. If you’re not convinced yet, which is understandable, keep reading.


Maybe looking at one window on its own isn’t the most clear, so let’s have a look at both of them together now.

All of a sudden we begin to see things taking shape here — two reptilian eyes, staring at you as you observe the stage.

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